A VISUAL PROJECT BY LAURA WERBIN
The artwork entered the room.
Digital artworks created before AI become the visual source for an imagined fashion world.
With AI as a collaborator, the archive begins to appear on dresses, boots, bags, walls, furniture, mannequins and interiors.
The art is not generated by AI. The world around it is staged with AI.
ABOUT
Hundreds of digital artworks by Laura Werbin waited quietly as images.
With AI as a collaborator, they begin to dress bodies, occupy rooms, cover objects, and enter fictional worlds.
CATALOGUE
A collection of imagined garments and figures. These are not products. They are visual possibilities.
THE ROOMS
It spreads across dresses, boots, bags, walls, furniture and interiors. The mannequin is not only wearing the artwork. She is living inside it.
The room becomes part of the artwork.
The wall becomes a garment. The garment becomes a room.
EDITORIAL
The project also becomes an editorial language: a way to imagine campaigns, spreads, covers and visual stories around the same art-fashion world.
STORY
She is not a model in a catalogue. She is a mannequin, a quiet character, a figure made to display clothing who slowly begins to inhabit the world around her.
The artwork surrounds her. It dresses her. It follows her into rooms, walls, furniture and objects. She does not sell the clothes. She carries the visual world.
ARCHIVE
Before the mannequins, before the rooms, before the dresses, there was the archive: a larger wall of original digital artworks created by Laura Werbin over years of visual exploration.
